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Addictedtoedm / Maria Rosa Flatt

New decade, new gear // Having changed electronic music’s live performance game once, 2020 sees Giuseppe Ottani primed to do it again. Using his Live 2.0’s ‘studio-in-a-suitcase’, the last few years have seen the Italian create the music (ultimately destined for his 2019-released ‘Evolver’ album) in-club, real-time. Into the new decade, he’s upped Live’s tech game again, advancing it to give the musician near limitless control over each & every sound he delivers.

Giuseppe expands:
 “trance starts and finishes with its music and our shared experience in hearing itThat’s what sets our sub-genre apart and makes it uniqueThe artist who can customize the floor experience to the audience to the greatest degree is the one who’ll reap the greatest crowd response. That thinking has been central to everything I’ve done for many years now and without a doubt is the driving force behind the Live show experience. My goal is to make every element the music played exclusive and unique to the set, the night and the moment. Live 2.0 was heavily geared towards that, but I think through 3.0, I’ll be within touching distance that aim”.

While its previous version was all about creating new music live on stage, he continues, Live 3.0 is about individualizing the performance the music that the previous version helped birth. Performing a track generally means you can play it a number different ways. With 3.0 though, that’s rendered near infinite. Adding or subtracting sounds depending on the setting, time the night or read the crowd – every track played can – and will – take on a new prile, effectively being tailor ‘remixed’ to that moment.

What’s inside the case // To do this, from its casing up, Giuseppe’s completely rethought his technological marvel. With performance at its heart, it has for the first time a striking lighting/visual aesthetic. “With 2.0 people couldn’t see me play its keyboard component as it was desk level and within the box. With 3.0 the two keyboards and the drum machine are raised up high, which will naturally bring a far greater connection between what the audience sees and what the audience hears”.

Technically I will have one laptop running 6 stems per track, which will harness full control the kick drum, bass, leads, pads, vocals and drums every single track. The second laptop will hold all my keyboard sounds and additional loops & effects. In this way, I can, for example, mute the original kick drum the track and play a break-beat loop from the drum machine, or I can mute the lead and play a different melody on my keyboards, or even solo the vocals, applying something in their place… Sonically, it’s gonna be the wild west!”

Where & when // throughout 2020, at festivals and arenas around the planet, Giuseppe will bring the tracks you love, albeit sounding studio-box-fresh and with the additional anything-can-happen thrill  live. Edging musician and machine that much closer together, Live 3.0 rolls out Q1, 2020.

For more information and updates, connect through the links below.

giuseppeottani.com
twitter.com/GOttani
soundcloud.com/giuseppeottani
facebook.com/giuseppeottani

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