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Paul Roland blends macabre themes and melodic instrumentation on gothic ballet

Psych-pop and goth rock icon Paul Roland continues to grace music lovers with his polished signature of intellectual song writing and catchy melodies. First taking the stage across Italy and Greece with a new band of experienced Italian musicians performing to his loyal fanbase to showcasing his composing abilities on three-act contemporary gothic ballet  Nosferatu or the Strange Case of Jonathan Harker, Roland continues to zero in on an authentic artistry of macabre themes wrapped in melodic arrangements.

Led by a distinct and deep voice carrying narrative-drivenRoland has developed a diverse craft over a 40-year career which has seen seamlessly move through genres as he in his last album 1313 Mockingbird Lane while weaving fantasy tales on orchestral ballet rooted in his signature gothic and supernatural undercurrents.

Right from his first album The Werewolf of London in 1980 to recent productions, Paul Roland has balanced lively yet haunting bodies of work that has continues to attract a loyal following who still allow him the space to carry his reputation as a niche artist on his journey.

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